‘As God Is My Witness’: The Catholic Roots of Gone with the Wind
The Archdiocese of Atlanta now owns 50 percent of Margaret Mitchell’s Gone with the Wind. That’s like saying your local parish just found a Picasso in the cellar.
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The Archdiocese of Atlanta now owns 50 percent of Margaret Mitchell’s Gone with the Wind. That’s like saying your local parish just found a Picasso in the cellar.
Kateri Tekakwitha repeats the example of the saints: Holiness thrives on the cross, anywhere. Yet she did have what Christians—all people—need: the support of a community.
Bret Baier, anchor of Special Report, the 6 p.m. nightly news on the FOX News Channel, isn’t averse to puns on his name. In his first book, Special Heart, released this past June, he writes about the Three Baiers: Papa Baier; Mama Baier for his wife, Amy; and Baby Baier for his son, Paul. Such plays on a word might be an unconscious wish that the family’s recent history was just a fairy tale. Instead, it involved dealing with a dark reality the possibility of Baby Baier’s death.
For many years, American Catholics who wanted to follow in the footsteps of a saint had to travel to Europe. In Assisi, they could step where St. Francis did. In Ireland, they might walk the byways of St. Patrick.
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